VESTA

In this imagined interior, René Magritte’s Les droits de l’homme presides over the room like an enigma. Painted in 1948, its quiet surrealism anchors the space — a timeless reflection on presence, power, and poetic absurdity.

Beneath it stands the 'Galuchat' chest of drawers by Ingrid Donat (2013), its surface alive with bronze texture — a sculptural object as much as it is functional furniture. It evokes the tactile intelligence of collectible design: fierce, ornamental, and deeply personal.

Atop it rests Gorille dérangé (2013) by François-Xavier Lalanne — both humorous and stoic, this stone-faced figure brings an animalistic stillness, challenging the boundary between object and companion.

Framing the painting are a pair of gilt bronze sconces by Diego Giacometti, circa 1980. Their delicate, botanical forms echo ancient totems — casting not just light, but memory.

To the right, a 1955 floor lamp by Jean Royère in painted tubular steel curves like a drawn line in space — understated, elegant, and unmistakably modern.

This composition — part fantasy, part tribute — is not a room, but a conversation. Between antiquity and the avant-garde. Between narrative and nuance. Between what we collect… and what collects us.