PEGASUS

A symphony of light and structured shadow, where the boundary between historic weight and avant-garde defiance dissolves.

In the centre, Renzo Mongiardino’s simulated porphyry ceramic lamps stand as pillars of neoclassical illusionism, casting an atmospheric glow over a century of radical design.

To the left, Michelangelo Pistoletto’s Color and Light shatters the traditional canvas, drawing the viewer into a reflective, fluid reality.

To the right, Jean Metzinger’s Femme Assise Devant la Fenêtre anchors the eye with the fractured, poetic geometry of late Cubism, its rich red drapery speaking to the deep, timeless tones of the porphyry beneath it.

On the floor, two distinct Philosophies of the seat converse across time. Jacques-Émile Ruhlmann’s 'Sucena' dressing chair embodies the zenith of Art Deco refinement—an exercise in sleek, aristocratic poise.
It is answered by the raw, mythic rebellion of Garouste & Bonetti’s 'Barbare' chair, a primitive totem that disrupts luxury with primal energy.
Together, these pieces cease to be objects; they become a curated continuum of taste, texture, and time.