BELLONA

Across centuries, ornament and abstraction meet.

The architecture speaks in repetition — carved doors, gilded foliage, birds suspended across patterned walls — while Louis Marcoussis fractures the still life into another rhythm. Instrument de musique sur guéridon introduces the language of Cubism: geometry, colour and objects rearranged somewhere between recognition and memory.

Below, sculptural furniture becomes almost animate. Crystal catches the afternoon light. A pair of red heels, abandoned without ceremony, suggests that someone has only just left the room.

Nothing here belongs to quite the same moment, yet everything enters the same conversation.

A curation about contrast, rhythm, and the unexpected harmony of things never intended to meet.