TITAN

In this imagined room, contrasts dance as vividly as the figures on the wall.
Paula Rego’s Dancing Ostriches from Walt Disney’s Fantasia (1935–2022) command the stage — bodies both fierce and vulnerable, caught between discipline and abandon.

Beneath them, a mischievous bronze holds court: the Singe aux nénuphars by Claude and François-Xavier Lalanne, balancing champagne flutes with quiet irony.

Light spills softly from an early Akari J1 by Isamu Noguchi, a paper moon folded into sculptural rhythm.


At rest, two monumental “Elephant” armchairs by Jacques-Émile Ruhlmann (c. 1926) — velvety, solid, both guardian and throne.

Through the open door, the horizon glows — a silent stage where memory, fantasy, and desire slip between shadow and sea.