MUSES

An imagined atrium where warm light filters through shoji‑inspired screens, creating a serene interplay of geometry and shadow.

To the left, a Pierre Chareau ‘SN 37’ model armchair, c. 1930, anchors the seating vignette. At the centre, Serge Poliakoff’s Composition vert rouge jaune, c. 1964 adds a vibrant abstract counterpoint to the architectural order.

On the parchment‑fronted cabinet, a unique bar cabinet by Paul Dupré Lafon, c. 1940, rests Alfred Janniot’s Tête Idéale (La Sicilienne), 1921, accompanied by Pablo Picasso’s Pêcheur (A.R. 262), 1955.

Above, an Art Nouveau chandelier by Bellery‑Desfontaines casts a warm glow, completing a composition that celebrates the dialogue between collectible design, fine art, and decorative history.

The casually placed Chanel bag and Roger Vivier heels suggest the fleeting presence of a collector within this refined and intimate sanctuary.