FRANCOISE

A room built around a conversation history forgot to finish.
Françoise Gilot looks out from her 1944 self-portrait — dark-eyed, flat-planed, already refusing to be merely a subject.

Across the room, Picasso's 'Nu debout et femmes assises' (1939) — figures fractured and reassembled by the hand that would later try to erase hers.

Between them, Giacometti's 'Étoile' lamp, circa 1936. Skeletal, reaching. Throwing light not to illuminate, but to reveal.
This room doesn't take sides. It simply remembers.