ADRASTUS

My latest interior rendering explores a curated sanctuary where centuries of artistic mastery cross paths.

A stately Roman Marble Venus (c. 1st-2nd Century A.D.) grounds the left foreground, drawing the eye toward an elegant Art Deco side table by Clément Rousseau (c. 1925). Restrained emotion anchors the vignette through Wilhelm Lehmbruck’s introspective Büste der Knienden (1911) and the unmistakable, deep gaze of Henri Matisse’s Portrait de femme (Lorette) (1916) resting just above a rare, classical Chinese Huanghuali folding armchair.

The space finds its psychological climax in Leonor Fini’s brilliant surrealist work, La chambre d’écho. Curation is about creating a universe where every object speaks to the next.